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结果集 1-50(总计 52+)
ia/juliolarraz0000sull.pdf
Julio Larraz Edward J Sullivan; Julio Larraz New York: Hudson Hills Press, 1st ed., New York, New York State, 1989
180 p. : 26 cm Bibliography: p. 176-177 Includes index
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英语 [en] · PDF · 10.8MB · 1989 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17454.057
ia/taftmuseumitshis0000edwa.pdf
The Taft Museum. European and American Paintings Sullivan, Edward J., Meyer, Ruth Ann Krueger Taft Museum Hudson Hills Press, Cincinnati, Ohio, New York, 1995
英语 [en] · PDF · 29.3MB · 1995 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11065.0, final score: 17453.92
ia/isaacwitkin0000wilk.pdf
Isaac Witkin Karen Wilkin; Isaac Witkin New York: Hudson Hills Press: Distributed in the U.S., its territories and possessions, and Canada by National Book Network, 1st ed., New York, New York State, 1998
This Illustrated Monograph Explores The Career Of One Of The Most Original And Influential Sculptors Now Working In The Modernist Tradition. His Early Work, As Part Of London's New Generation, Used Unexpected Materials In Sculptures That Married Form And Color In Unprecedented Ways. They Are Distinguished By Their Inventive Polychromy And Sleek Industrial Materials (fiberglass, Plexiglass, Glass, And Aluminum Tubing Along With Wood) As Well As By Their Repetitive, Curvilinear Profiles And Bold Thrusts Into Space. Once In The U.s., Witkin Continued To Explore Abstract Volume And Color In Steel. His Generously Scaled Constructions, Equally Notable For Their Structural Audacity And Emotional Range, Established Him As A Legitimate Heir To The Tradition Of David Smith. In The Early 1980s Witkin Shifted To Working In Bronze, Inventing A Method Of Constructing With Directly Poured Elements. This Most Recent Work Allows Him To Combine The Sensuality Of Once-molten Metal, The Expressiveness Of Organic Forms, The Richness Of Bronze Patina, And The Immediacy Of Constructed Sculpture. Author Karen Wilkin Relates The Story Of The Artist's Career To Date, Discussing The Evolution Of His Work In The Context Of The Modernist Tradition As Well As The Work Of Witkin's Contemporaries. Karen Wilkin. Includes Bibliographical References (p. 109-114) And Index.
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英语 [en] · PDF · 16.3MB · 1998 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17453.387
ia/artinflightsculp00boyn.pdf
Art in Flight: The Sculpture of John Safer by Walter J. Boyne; introduction by Douglas Lewis; photographs by David Finn New York: Hudson Hills Press ; [s.l.]: Distributed in the U.S., its territories and possessions, Canada, Mexico, and Central and South America by National Book Network, 1st ed, New York, [Place of publication not identified, ©1991
Showcases The Work Of American Sculptor John Safer, Whose Pieces Reflect His Love Of Aviation And Space Technology, Following His Stylistic Evolution From Constructivist Compositions To Biomorphic Abstractions And His Current Monumental Works. List Of Colorplates -- Reflections Of The Artist / John Safer -- A Note From The Photographer / David Finn -- Introduction / Douglas Lewis -- John Safer: The Sculptor In Context / Walter J. Boyne. I. An Analogy. Ii. Trophies. Iii. Facets And Flames. Iv. A Smile From Kelly Johnson. V. Limits Of Infinity. Vi. Of Time And Space. Vii. A Final Thought -- Biographical Note -- Exhibition History -- Public Collections. By Walter J. Boyne ; Introduction By Douglas Lewis ; Photographs By David Finn. Includes Index.
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英语 [en] · PDF · 10.4MB · 1991 · 📗 未知类型的图书 · 🚀/duxiu/ia · Save
base score: 11068.0, final score: 17453.387
zlib/no-category/Strazdes, Diana J, Carnegie Museum of Art/American paintings and sculpture to 1945 in the Carnegie Museum of Art_119853141.pdf
American paintings and sculpture to 1945 in the Carnegie Museum of Art Strazdes, Diana J, Carnegie Museum of Art New York : Hudson Hills Press in association with the Museum : Distributed by National Book Network, 1st ed., New York, New York State, 1992
xxxi, 511 p. : 31 cm, Includes bibliographical references and index
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英语 [en] · PDF · 61.2MB · 1992 · 📗 未知类型的图书 · 🚀/ia/zlib · Save
base score: 11068.0, final score: 17453.326
ia/splendidpagesmol0000mell.pdf
Splendid pages : the Molly and Walter Bareiss collection of modern illustrated books : [exhibition, Toledo, Toledo museum of art, from February 14 to May 11, 2003 Mei-Mei Berssenbrugge; Walter Bareiss; Toledo museum of art New York: Hudson Hills Press in association with the Toledo Museum of Art ; Lanham, Md.: Distributed in the United States by National Book Network, 1st ed, New York, Lanham, Md, c2003
Julie Mellby ; With Contributions By Walter Bareiss ... [et Al.]. Documents Works Donated By Molly And Walter Bareiss To The Toledo Museum Of Art In 1984; Also Includes Essays From Individuals Devoted To The Book Arts As Collectors, Artists, Poets, Publishers And Historians. Includes Bibliographical References (p. 219-221) And Index.
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英语 [en] · PDF · 32.4MB · 2003 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17453.326
ia/printsofsamfranc0000lemb.pdf
The Prints of Sam Francis: Lithographs ; Vol. 2, Intaglio prints, screenprints, and posters by Connie W. Lembark; introduction by Ruth E. Fine New York: Hudson Hills Press: Distributed in the U.S. by National Book Network, 1st ed., New York, New York State, 1992
<p>Every lithograph, etching, screenprint by Abstract Expressionist master. 383 colorplates, 141 duotones, 2 volumes, slipcased.</p>
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英语 [en] · PDF · 36.2MB · 1992 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17453.326
ia/charleshenrymill0000flem.pdf
Charles Henry Miller, N.A. : painter of Long Island Geoffrey K. Fleming and Ruth Ann Bramson; foreword by William H. Gerdts Southold, N.Y.: Southold Historical Society ; New York: In association with Hudson Hills Press, Southold, NY, Manchester [N.Y.], New York State, 2011
Introduction -- Miller Family -- Early Life & Education -- War & Off To Europe To Study -- Art Career -- Technique, Glazing, & Photography -- Miller As Promoter Of Long Island -- Queenslawn -- Miller As Collector -- Queens -- Arts & Crafts Society -- The North Fork -- Last Years -- Afterword -- Chronology -- Exhibition Record -- Sketchbook Images. Geoffrey K. Fleming & Ruth Ann Bramson ; With A Foreword By William H. Gerdts. Includes Bibliographical References And Index.
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英语 [en] · PDF · 21.0MB · 2011 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17453.256
ia/renaissancetreas0000wint.pdf
A Renaissance treasury : the Flagg collection of European decorative arts and sculpture : [exhibition, Montgomery Museum of Fine Arts, Montgomery, Ala., April 17-June 14, 1998 ... Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, Stanford, Calif., October 12, 1999-January 2, 2000 Laurie Winters, in collaboration with Joseph R. Bliss; essays by Charles Avery, Russell Bowman; entries by Joseph R. Bliss ... [et al.] New York: Hudson Hills Press in association with Milwaukee Art Museum, 1st ed., New York, New York State, 1999
The Richard And Erna Flagg Collection, Formed Over Six Decades And Given And Loaned To The Milwaukee Art Museum In 1991, Is One Of The Most Important Single Donations Of Earlier European Decorative Arts To An American Museum. It Includes Unique And Historically Significant Objects That Provide Insight Into The Culture, Religion, And History Of The Renaissance And Baroque Periods. Although Enormously Varied In Style And Country Of Origin, These Works Are United In Their Emphasis On Virtuoso Displays Of Craftsmanship, Technical Innovation, Intricate Artistry, And Precious Materials. A Renaissance Treasury Catalogues 112 Objects In All; Of These, 77 Are Reproduced, Mostly In Color, With Authoritative Commentary On Their Formal, Social, And Religious Significance.--book Jacket. Preface / Russell Bowman -- Acknowledgments / Laurie Winters -- Map Of Western Europe -- Introduction / Laurie Winters -- Map Of Central Europe -- A Passion For Collecting: Richard And Erna Flagg / Russell Bowman -- American Collectors Of Early European Decorative Arts / Charles Avery -- Catalogue. Clocks And Scientific Instruments. Vessels, Tankards, And Tablewares. Boxes, Locks, And Keys. Objects Of Devotion. Sculpture. Furniture -- Additional Works In The Flagg Collection. Laurie Winters, In Collaboration With Joseph R. Bliss ; Essays By Charles Avery, Russell Bowman ; Entries By Joseph R. Bliss ... [et Al.]. This Publication Is Issued In Conjunction With The Exhibition Of The Same Name Held At The Montgomery Museum Of Fine Arts, Montgomery, Ala., Apr. 17-jun. 14, 1998, The Smith College Museum Of Art, Northampton, Mass., Dec. 11, 1998 - Mar. 14, 1999, And At Four Other Locations From Aug. 1, 1998-jan. 2, 2000. Includes Bibliographical References (p. 161-172) And Index.
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英语 [en] · PDF · 23.0MB · 1999 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.775
ia/johnraimondiscul0000hunt.pdf
John Raimondi: Sculptor in Color Sam Hunter, William Corbett New York: Hudson Hills Press ; [Lanham, MD]: Distributed in the USA and Canada by National Book Network, 1st ed, New York, New York State, 1999
John Raimondi Is Arguably The Most Successful Creator Anywhere Of Public Sculpture On A Monumental Scale, With Works In Twenty-seven States And Several European Countries. His Sculpture Ranges From Pure Abstraction To Works That Capture The Essence Of Natural Forms, Birds And Animals. This Book Brings Together Raimondi's Finest Sculpture In Every Scale, Including Both The Public Monuments And The Works Created For More Intimate Indoor And Garden Settings, Along With A Selection Of His Virtuoso Drawings. William Corbett Provides A Detailed History Of Raimondi's Life, Career, And Important Commissions, While Sam Hunter Presents A Formal Analysis Of Some Of Raimondi's Major Pieces And Positions Him And His Work In The Context Of Recent Art History.--book Jacket. Raimondi's Space Probes / Sam Hunter -- John Raimondi, Sculptor Of Monuments / William Corbett. Sam Hunter, William Corbett. Includes Bibliographical References (p. 131-133) And Index.
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英语 [en] · PDF · 23.9MB · 1999 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.775
ia/morganrussell0000kush.pdf
Morgan Russell : [this volume was published to accompany an exhibition organized by the Montclair Art Museum by Marilyn S. Kushner; introduction by William C. Agee New York: Hudson Hills Press in association with the Montclair Art Museum: Distributed in the U.S., its territories and possessions ... by Rizzoli International Publications, 1st ed., New York, New York State, 1990
pp. 219, "Aided by monthly stipends from Gertrude Vanderbilt Whitney, Morgan Russell (1886-1953), a New Yorker working in Paris, pioneered the short-lived Synchromistok movement with his friend Stanton Macdonald-Wright. Their swirling discs of color--exploding spectrums abuzz with rhythm and movement--blazed an indelible impression on modernist abstraction. But Russell, a pupil of Matisse, finally reached an
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英语 [en] · PDF · 24.3MB · 1990 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.775
ia/threedecadesofam0000unse.pdf
Three decades of American printmaking : the Brandywine Workshop collection introduction by Halima Taha; [editor] Allan L. Edmunds ... [et al.] Hudson Hills ; Windsor, 1st ed., New York, NY, United States, 2005
Drawn From Brandywine's Extensive Archives, Three Decades Of American Printmaking Presents 147 Color And Black-and-white Photographs. Highlighting Works By Such Influential Artists As Eugene Grigsby, Woodsworth Jarrell, Margo Humphrey, And Louis Delsarte, This Important Volume Displays The Richness The Workshop Has Brought To Contemporary Art. Essays By Halima Taha, Lois H. Johnson And Patricia Smith, Keith A. Morrison, And Claude Elliott Introduce The Workshop Itself, Explore Its Significance In Relation To Printmaking And Education, And Offer A Closer Look At Some Of The Many Distinguished Artists And Printers Who Have Participated In Its Programs. Extensive Information On The Brandywine Workshop's Exhibitions, Collection, And Artists, In Addition To A Glossary And Bibliography, Complete A Volume Which Sheds New Light On An Institution Dedicated To Enhancing The Role Of Culturally Diverse Artists Through The Medium Of Prints.--book Jacket. Foreword / Bernard Young -- Preface / Allan L. Edmunds -- Introduction : Romance And Ritual / Halima Taha -- Artist Proof : History And Process / Lois M. Johnson And Patricia Smith -- Wider Vision Of The Brandywine Workshop / Keith Morrison -- Fresh, Human, And Personal : Signature Of Brandywine Workshop / Claude L. Elliot -- Color Plates -- Serigraphs 1975-1989 -- Offset Lithographs 1982-2002 -- Mixed-media 1997-2001. Introduction By Halima Taha ; [editor, Allan Edmunds]. Includes Bibliographical References (p. 233-236) And Index.
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英语 [en] · PDF · 22.9MB · 2005 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.775
ia/waltergoodmanspr0000brow.pdf
Walter Goodman's The printseller's window [in conjuction with the exhibition Walter Goodman's The Printseller's window: solving a paitner's puzzle, on view at the Memorial Art Gallery of the University of Rochester from August 14 - November 8, 2009 Peter Ogden Brown; Walter Goodman; Memorial Art Gallery (Rochester, NY); Exhibition Walter Goodman's The Printseller's Window: Solving a Painter's Puzzle Rochester, N.Y.: Memorial Art Gallery, University of Rochester, Rochester, N.Y, New York State, 2009
Peter Ogden Brown. First Published 2009 In Conjunction With The Exhibition Walter Goodman's The Printseller's Window: Solving A Painter's Puzzle, On View At The Memorial Art Gallery Of The University Of Rochester From August 14-november 8, 2009--t.p. Verso. Includes Bibliographical References (p. 56-63).
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英语 [en] · PDF · 5.2MB · 2009 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.775
ia/threehundredyear0000mont.pdf
Three hundred years of American painting : the Montclair Art Museum collection Marilyn S. Kushner ... [et al.]; essays by Matthew Baigell ... [et al.]; foreword by J. Carter Brown; introduction by Robert J. Koenig New York: Hudson Hills Press: Distributed in the U.S. by Rizzoli International Publications, 1st ed., New York, New York State, 1989
American Portraits, 1720-1920 / Ellen G. Miles -- American Landscapes / Nicolai Cikovsky, Jr. -- American Paintings, 1900-1939 / Matthew Baigell -- Abstract Expressionism In Context / April Kingsley. Marilyn S. Kushner ... [et Al.] ; Essays By Matthew Baigell ... [et Al.] ; Foreword By J. Carter Brown ; Introduction By Robert J. Koenig. Includes Bibliographical References And Indexes.
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英语 [en] · PDF · 25.1MB · 1989 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.738
ia/marksofdistincti0000hood.pdf
Marks of Distinction: Two Hundred Years of American Drawings and Watercolors from the Hood Museum of Art, 1769-1969 Barbara J. MacAdam; with an essay by John Wilmerding and contributions by Mark D. Mitchell; catalogue entries by Derrick R. Cartwright ... [et al.] Hanover, N.H.: Hood Museum of Art, Dartmouth College ; New York: Hudson Hills Press, 1st ed., New York, NY, United States, 2004
<p>Consisting of text as well color and black & white plates of 250 American watercolors and drawings from 1769 to 1969, this oversize (9.5x12.25) catalog accompanies an exhibition celebrating the 20th anniversary of Dartmouth College's Hood Museum of Art. Curator MacAdam and others discuss the history of Dartmouth and art, and present works by artists such as Copely, Audubon, Sargent, Cassatt, Homer, Whistler, Stella, Calder, Pollack, Wyeth, Lawrence, and Bearden. Description of materials, provenance, exhibition list, references, and notes are included for each piece of art. The catalog concludes with small black & white plates of further selected American drawings and watercolors in the collection of the Hood Museum of Art. Annotation &copy;2004 Book News, Inc., Portland, OR</p>
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英语 [en] · PDF · 30.1MB · 2004 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.738
ia/aliceschille0000gerd.pdf
Alice Schille William H Gerdts; Alice Schille Hudson Hills Press ; Distributed to the trade by National Book Network, 1st ed, New York, Lanham, MD, ©2001
Alice Schille (1869-1955) Was One Of The Finest Watercolor Artists Of Her Time And Among The Foremost Woman Watercolorists Ever Produced In America. Born In Columbus, Ohio, She Studied Art In New York And Paris And Was Influenced By Progressive Art Movements. Remarkably For A Woman In That Era, She Was A World Traveler, Painting Throughout The U.s. (including The Southwest), Europe, North Africa, And Latin America. One Of Schille's Greatest Achievements Is Her Communication Of The Fascination She Herself Derived From These Travels. Alice Schille Brings Together The Artist's Finest Painting - Still Lifes, Landscapes And Gardens, Mothers And Children, Market And Harbor Scenes. She Captured The Naturalness Of Childhood In An Extremely Appealing Way, Producing A Series Of Warm, Affecting Images, Managing A Rare Balance Of Realism And Sentiment. Alice Schille Provides A Full-scale Critical Biography And Retrospective Showing Of The Artist's Work In The Context Of Selected Works By Her Contemporaries. It Further Documents Her Life And Career With An Illustrated Chronology; Lists Of Selected Exhibitions, Permanent Collections, Prizes And Awards, And Memberships; Bibliography And Index.--jacket. Alice Schille / William H. Gerdts -- Notes -- Chronology -- Selected Exhibitions -- Permanent Collections -- Prizes And Awards -- Memberships -- Bibliography. William H. Gerdts. Includes Bibliographical References (p. 204-211) And Index.
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英语 [en] · PDF · 28.7MB · 2001 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.736
ia/americandreamsam0000will.pdf
American dreams : American art to 1950 in the Williams College Museum of Art Nancy Mowll Mathews; Williams College. Museum of Art New York: Hudson Hills Press in association with the Williams College Museum of Art ; [Lanham, Md.?]: Distributed in the U.S. by National Book Network, 1st ed, New York, [Lanham, Md.?], New York State, 2001
240 pages : 32 cm "Williams College, established in Williamstown, Massachusetts, in 1793, is remarkable as the source of several generations of leading museum professionals, and its fine museum has been a crucial part of their education. It holds an exceptional collection of American art - nearly 3,000 objects in all - filled with masterpieces by major artists as well as such special treasures as large holdings of work by Thomas Nast, Rube Goldberg, and Charles and Maurice Prendergast The paintings, sculpture, furniture, prints, and drawings highlighted in this volume range from about 1769 to 1950." "The first recorded call for an art collection at Williams came in 1858, but the earliest objects were a curious amalgam of fine art and study aids helpful in teaching. However, by 1890 Williams had acquired a "real" art collection, a fine setting for its display (Lawrence Hall, the elegant college library), and a professor dedicated to the history of art and culture (Richard Austin Rice)." "American Dreams is published on the occasion of the seventy-fifth anniversary of the collection's current home, the Williams College Museum of Art (substantially expanded in the 1980s) It included eighteenth-century works by Copley and West; nineteenth-century examples by Kensett, Inness, Homer, Harnett, Peto, Whistler, Remington, and Eakins; and twentieth-century works by Saint-Gaudens, Twachtman, Bellows, Demuth, Hartley, O'Keeffe, Marin, Man Ray, Shahn, Feininger, Wood, Hofmann, Avery, Cadmus, Burchfield, and Lawrence."--BOOK JACKET Includes bibliographical references and indexes
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英语 [en] · PDF · 23.0MB · 2001 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.65
ia/voicesofcontempo0000oldk.pdf
Voices of contemporary glass : the Heineman collection; [this publication accompanies the exhibition "Voices of contemporary glass: the Heineman collection", held at the Corning Museum of Glass, May 16, 2009-January 3, 2010 Tina Oldknow; Cristine Russell; Corning Museum of Glass Corning Museum of Glass in association with Hudson Hills Press, New York; Hudson Hills; Corning Museum of Glass in association with Hudson Hills Press, 1st Edition, First Edition, PS, 2009
--Reflecting a deep respect for, and commitment to, artists and their work, the Heineman Collection demonstrates the versatility of one material - glass - in exploring and expressing a wide range of ideas in art -- The collection includes 240 objects, dating from 1969 to 2005, by 87 artists from the United States, Europe, Australia, and Japan The Heineman Collection at the The Corning Museum of Glass in Corning, New York, is one of the largest collections of studio glass sculptures and vessels in the United States. Given to The Corning in 2006, this is the first publication documenting this vast new addition to the Museum's collections. The Collection reflects historical developments in the field of contemporary studio glass, and it explores the broad themes of abstraction and material.
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英语 [en] · PDF · 21.1MB · 2009 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.65
ia/judithrothschild0000flam.pdf
Judith Rothschild : an artist's search Flam, Jack D., Rothschild, Judith New York: Hudson Hills Press, New York, New York State, 1998
This Illustrated Monograph Accompanies A Retrospective Exhibition Of Paintings By Judith Rothschild (1921-1993) First Seen At The Metropolitan Museum Of Art In New York And Subsequently Shown At The Phillips Collection In Washington, D.c. It Gives A Detailed And Intimate Account Of Both Rothschild's Art And Life, Skillfully Weaving Together The Relationships Between The Development Of Her Painting And The Circumstances In Which It Was Created, Including The Contemporaries Who Influenced Her Work. Also Explored Is The Artist's Interest In Color Theory, Including Its Relation To Musical Notation.--book Jacket. Rothschild Sought Her Imagery In The Complex Interaction Between Feelings, Things, And Ideas, And Her Late Style Was Built On The Unlikely Combination Of The Sensual Richness Of Matisse's Late Cutouts And The Geometric Austerity Of Mondrian. This Led To The Relief-painting Technique That She Employed For The Last Twenty Years Of Her Life, Making It Possible For Her To Create Some Of Her Most Original And Powerful Works.--jacket. Introduction: Getting To Know Judith Rothschild -- Ch. 1. Starting Out, 1921-1947 -- Ch. 2. A New Life, 1947-1950 -- Ch. 3. Way Out West, 1951-1957 -- Ch. 4. An Unsettled Time, 1957-1964 -- Ch. 5. A New Austerity, 1964-1970 -- Ch. 6. Coming Home, 1970-1975 -- Ch. 7. The Articulation Of The Image, 1975-1993. By Jack Flam. Includes Bibliographical References (p. 160-161) And Index.
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英语 [en] · PDF · 20.7MB · 1998 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.65
ia/tiffanydesktreas0000keme.pdf
Tiffany desk treasures : a collector's guide including a catalogue raisonné of Tiffany Studios and Tiffany furnaces desk accessories George A. Kemeny and Donald Miller; foreword by Robert Koch Hudson Hills Press; Brand: Hudson Hills; Hudson Hills, 1st ed., New York, New York State, 2002
<p><p>this Comprehensive Reference Provides A History Of Tiffany The Man, And Of The Wonderful Desk Sets Produced By Tiffany Studios And Tiffany Furnaces; Describes Each Pattern; Illustrates Representative Examples; And Lists The Hundreds Of Known Pieces With Model Numbers And Current Price Ranges.</p>
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英语 [en] · PDF · 12.8MB · 2002 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.215
ia/frenchnineteenth0000broo.pdf
French Nineteenth-century Drawings And Watercolors At The Brooklyn Museum Brooklyn Museum, Karyn Zieve, Sarah Faunce, Linda Konheim Kramer Hudson Hills Press in association with the Brooklyn Museum : Distributed in the U.S. by National Book Network, 1st ed., New York, New York State, 1993
In 1900 The More Than Five Hundred Gouaches And Ink Drawings Made By James Jacques Joseph Tissot For His Life Of Christ Were Purchased By Public Subscription By The Brooklyn Museum, And In 1992 A Sketchbook By Tissot, Related To This Series, Was Also Purchased For The Collection. Over The Intervening Years Nearly One Hundred Other Works On Paper By Nineteenth-century French Artists Entered The Collection. Many Of Them Are By Artists Now Considered To Be The Major Masters Of Their Time; But There Are Also Works By Other Artists, Both Academic And Avant-garde, Less Familiar To The American Public Today, Who Deserve Recognition. This Collection - Which Spans A Century Of Creativity And A Subsequent Century Of Collecting, Thus Preserving A Portion Of Our Cultural And Artistic Heritage - Is One Of The Significant Holdings Of Works On Paper At This Great Museum. This Volume Is Part Of An Ongoing Series Devoted To The Museum's Outstanding And Encyclopedic Collection Of Works On Paper. It Presents Ninety-three Drawings, Watercolors, And Pastels By Some Fifty Artists, Ranging From Fragonard Through Corot, Millet, Daumier, And Rodin; The Impressionists Degas, Manet, Morisot, And Pissarro; The Post-impressionists Cezanne, Gauguin, Toulouse-lautrec, And Van Gogh; And The Modernist Pioneers Picasso And Gris. Through An Examination Of These Works And The Fascinating Texts That Accompany Them, We Can Gain An Understanding Not Only Of The Aesthetic Attitudes Of Each Artist And His Society, But Also Of The History, Politics, And Social Mores Of The Time And Place In Which Each Work Was Created. These Works On Paper, Thanks To Their Intimacy And Directness Not Found In The More Formal Media Of Oil Painting And Sculpture, Help Us To Understand Better The Art And The Artist's Thoughts At The Moment Of Creation.--book Jacket. Linda Konheim Kramer, Karyn Zieve, Sarah Faunce. Includes Bibliographical References (p. 141-142) And Index.
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英语 [en] · PDF · 14.6MB · 1993 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.215
ia/frederickhartscu0000unse.pdf
Frederick Hart : sculptor Frederick Hart; Tom Wolfe; Frederick Turner; Homan Potterton; Robert Chase; Frederick Downs Jr.; James M. Goode; Donald Martin Reynolds; James Fenimore Cooper New York, NY: Hudson Hills Press, 1st ed., New York, NY, New York State, 1994
This volume chronicles the life's work of an artist dedicated to challenging the sacred cows of modernism by calling for a reunion of beauty and morality in art and reuniting art with the concerns of humanity. This renewed vision of art, Frederick Hart believes, can be achieved only by reasserting the preeminence of the human figure as the fundamental element in the language of visual art. Text and picture portfolios focus on Hart's major public sculptures: the monumental Creation works at the main entrance to Washington National Cathedral and the larger-than-life-size bronze Three Soldiers at the Vietnam Veterans Memorial, both in the nation's capital. The portfolios show the development of these two important national monuments. Hart's cathedral work reflects a contemporary theological perspective which envisions Creation as not just a singular act but a state of constant becoming. His Vietnam Veterans Memorial statue fulfills the public's need for the reflection of the human face in our monuments in order to give human perspective and meaning to our history. Also included in this book are essays by distinguished poets, scholars, and philosophers who challenge, as Hart does, the fossilized state of contemporary art. Their thinking represents a growing movement across a broad variety of disciplines towards a renaissance in the arts. This book not only questions the presumptions of today's art, it offers a vision for the future. The book's 94 color, 62 black-and-white and 26 duo-tone photographs beautifully illustrate Hart's achievements in stone, bronze, and acrylic resin. The Plates section includes magnificent full-color photographs of the artist's major works, both public and private. A complete Catalogue Raisonne has been researched and compiled, recording Hart's works from 1968 to current works in progress. A chronology and brief profile of the artist's life, accompanied by personal photographs, and an Index of Works conclude the volume.
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英语 [en] · PDF · 17.2MB · 1994 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.2
zlib/no-category/Conrads, Margaret C., 1955-, Sterling and Francine Clark Art Institute/American paintings and sculpture at the Sterling and Francine Clark Art Institute_119916489.pdf
American paintings and sculpture at the Sterling and Francine Clark Art Institute Conrads, Margaret C., 1955-, Sterling and Francine Clark Art Institute New York : Hudson Hills Press : Distributed in the U.S. by Rizzoli International Publications, 1st ed., New York, New York State, 1990
219 pages : 31 cm, A catalog of the American art in the collection includes work by John Singer Sargent, Winslow Homer, Mary Cassatt, Frederick Remington, and others, Includes bibliographical references and index, Foreword / by David S. Brooke -- \"Of course it is a matter of taste & no more\": Robert Sterling Clark and American painting / by Steven Kern -- William Jacob Baer -- Nanna Matthews Bryant -- Edward Clark Cabot -- Samuel S. Carr -- Mary Cassatt -- William Merritt Chase -- Paul Lewis Clemens -- Clarence G. Cook -- Horace Talmage Day -- Francis William Edmonds -- Louis Michel Eilshemius -- Frederick Childe Hassam -- Winslow Homer -- George Inness -- John Beaufain Irving -- Clarence Johnson -- John Frederick Kensett -- John La Farge -- Nicholas Winfield Scott Leighton -- Walter McEwen -- Frederick MacMonnies -- Elie Nadelman -- Charles Adams Platt -- Pontiac -- Arthur Quartley -- Frederic Remington -- Raisa Robbins -- John Singer Sargent -- Henry Pember Smith -- George Henry Story -- Gilbert Stuart -- Henry Stull -- Edward Troye -- Unknown artist (Autumn landscape, 20th century) -- Unknown artist (Lady reclining, c. 1890-1900) -- Unknown artist (Washington's headquarters, Valley Forge, after 1890) -- Harry Wilson Watrous
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英语 [en] · PDF · 20.7MB · 1990 · 📗 未知类型的图书 · 🚀/ia/zlib · Save
base score: 11068.0, final score: 17452.2
ia/femalegazewomena0000penn.pdf
The female gaze : women artists making their world; [in conjunction with the exhibition ... at the Pennsylvania Academy of the Fine Arts, Philadelphia from November 17, 2012 through April 7, 2013 Robert Cozzolino; Glenn Adamson; Pennsylvania Academy of the Fine Arts.; Pennsylvania Academy of the Fine Arts.&lt;Philadelphia, Pa.&gt Philadelphia: Pennsylvania Academy of the Fine Arts, Place of publication not identified, 2012
* Accompanies an exhibition at The Pennsylvania Academy of Fine Arts, Philadelphia, from November 2012 to April 2013 The Linda Lee Alter Collection of Art by Women is a collection at the Pennsylvania Academy of the Fine Arts (PAFA) of approximately 400 works of art including paintings, photographs, drawings, watercolors, pastels, collage, prints, fabric pieces, ceramics, bronze, wood, and sculpture in other media by over 150 artists. The collection includes works by artists such as Louise Bourgeois, Joan Brown, Viola Frey, Ana Mendieta, Alice Neel, Louise Nevelson, Christina Ramberg, Betye Saar, Kiki Smith, Nancy Spero, and Beatrice Wood among many others. This accessibly written, fully illustrated publication includes ten new essays on women artists since the 1920s. The chief aim is to document and celebrate this unprecedented gift in PAFA's history. The book breaks new ground in scholarship on its topics, takes risks with interpretation, and uses the broad themes and wide array of artists represented in the collection as a starting point for reflections on the history of the feminist movement, individual artists, and regional identities. Artists from the collection have a strong voice throughout the publication through interviews, writings, and the incorporation of archival materials. The Linda Lee Alter Collection catalogue will be the lasting document of the collection and will accompany the traveling version of the exhibition, which is projected to travel to four national venues in 2013 and 2014.
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英语 [en] · PDF · 26.2MB · 2012 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.174
ia/italianfrencheng0000detr.pdf
Italian, French, English, and Spanish drawings and watercolors : sixteenth through eighteenth centuries [The collections of the Detroit Institute of Arts, 1992 Ellen Sharp (Introduction), Kathleen Erwin, Ann Sutherland Harris, George Knox, Jean-Patrice Marandel, Graham Smith, Victor Carlson, Marilyn F. Symmes New York: Hudson Hills Press in association with the Founders Society, Detroit Institute of Arts ; [Lanham, Md.]: Distributed by National Book Network, The Collections of the Detroit Institute of Arts, 1st ed., New York, [Lanham, Md.], New York State, 1992
This Is The Third Volume In An Acclaimed Series That Will Publish All Of The Master Drawings At One Of America's Great Museums. It Reproduces And Documents - With Essays By A Team Of Leading Scholars - Sheets From Italy, France, England, And Spain Ranging From The Sixteenth Through The Eighteenth Centuries. It Features Splendid Works By Some Of The Greatest Draftsmen Of All Time, Among Them Michelangelo, Tintoretto, Guercino, Canaletto, Giovanni Battista And Giovanni. Domenico Tiepolo, Jacques Callot, Claude Lorrain, Francois Boucher, Maurice Quentin De La Tour, Thomas Gainsborough, John Hoppner, Peter Lely And George Romney As Well As Others By Lesser-known And Unidentified Artists. Each Work Is Exquisitely Reproduced In Rich Duotone And Discussed In An Individual Essay. The Detroit Institute Of Arts Acquired Its First Two Drawings In The Year Of Its Founding, 1885, Both Gifts From James E. Scripps, Who Went On To Be One Of The Great. Benefactors Of The Graphic Arts Division. Among The Other Leading Figures In The History Of The Drawing Collection Have Been Donors John S. Newberry And Mr. And Mrs. Bernard Walker As Well As Director William R. Valentiner, Who In 1934 Made A Now-legendary Buying Trip To Europe, Returning With Sixty-nine Master Drawings Acquired With A Budget Of $4,000. Italian, French, English, And Spanish Drawings And Watercolors Represents The Combined Efforts Of A Team Of Leading. Specialists In The Field Of Master Drawings. They Provide For Each Of 231 Sheets: Attribution, Date, Medium, Dimensions, Inscriptions And Annotations, Condition, Provenance, Exhibition History, And Published References. Introduction By Ellen Sharp ; Essays By Victor Carlson ... [et Al.]. Includes Bibliographical References (p. 349-360) And Index.
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英语 [en] · PDF · 49.7MB · 1992 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.174
ia/isbn_9781555951481.pdf
George Washington : American symbol Barbara J Mitnick; William S Ayres; Museums at Stony Brook.; Brandywine River Museum.; Scottish Rite Masonic Museum of Our National Heritage.; et al New York: Hudson Hills Press in association with the Museums at Stony Brook and the Museum of Our National Heritage ; [Lanham, Md.]: Distributed in the U.S. ... by National Book Network, 1st ed., New York, [Lanham, Md.], New York State, 1999
"Published in conjunction with an exhibition seen at the Museums at Stony Brook, New York, February 6-May 31, 1999; at the Brandywine River Museum, Chadds Ford, Pennsylvania, June 11-September 6, 1999; and at the Museum of Our National Heritage, Lexington, Massachusetts, October 10, 1999-February 27, 2000"--Title page verso Includes bibliographical references (pages 153-156) and index George Washington is universally considered to be our most accomplished president, the perfect merger of military hero, effective administrator, and great leader. In honor of the 200th anniversary of his death, and in conjunction with a major traveling exhibition, this beautiful volume presents the many manifestations of Washington the national icon, for his image is the one we have continually turned to during virtually every period of our history for both inspiration and marketing clout It is also an image that has resisted fundamental revision over the course of two centuries because of the force of Washington's character, the clarity of his political purposes, and the intensity of his charisma Here are fine art portraits, both paintings and sculpture, ranging from a number for which Washington actually sat to postmodern images of our own time that gleefully deconstruct the icon. Here are objects of mass distribution on which our first president appears, from glass flasks, tableware, a porcelain vase, and a jacquard coverlet, to calendar illustrations, prints for framing, and the ubiquitous dollar bill Spanning more than two centuries, these items tell us as much about the changes in American society as they do about the man portrayed
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英语 [en] · PDF · 16.1MB · 1999 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.174
ia/greenvillecounty0000gree.pdf
Greenville County Museum of Art : the Southern Collection by Martha R. Severens; introduction by William H. Gerdts Hudson Hills Press, in association with the Greenville County Museum of Art : Distributed in the U.S., its territories and possessions, Canada, Mexico and Central and South America by National Book Network, 1st ed., New York, [Lanham, Md.], New York State, 1995
Includes Works By Charleston Artists Charles Fraser And Anna Heyward Taylor. By Martha R. Severens ; Introduction By William H. Gerdts. Includes Bibliographical References (p. 280-284) And Index.
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英语 [en] · PDF · 25.3MB · 1995 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.174
ia/marquetryodyssey0000kopf.pdf
A Marquetry Odyssey: Historical Objects and Personal Work, Silas Kopf Silas Kopf; foreword by Glenn Adamson Manchester, Vt.: Hudson Hills Press ; Distributed in the United States by National Book Network, 1st ed, Manchester, Vt., [Lanham, MD, c2008
Renowned For Over Thirty Years As A Master Of Marquetry, The Art And Craft Of Creating Pictures In Wood, Silas Kopf Takes Us On A Fascinating Journey Into Its History And Recounts His Personal Evolution As A Craftsman. He Offers Us An Accessible And Thorough Account Of The Practice Of Marquetry, Ranging From Ancient Egypt To The Present. He Lingers Over The Extraordinary Objects Produced During The Italian Renaissance And By The Great French Cabinetmakers Of The Seventeenth And Eighteenth Centuries. Examples Of Marquetry From Germany, England, Holland, Austria, And America Are Examined In Depth. Extensively Illustrated With Historical Examples As Well As Kopf's Own Work, And Accompanied By Numerous Appendices On Technique, This Book Will Appeal To Cabinetmakers, Collectors, Historians, And Lovers Of Fine Craftsmanship.--jacket. Émile Gallé -- Louis Majorelle -- Middle Ages -- Islamic Influence -- Italian Intarsia -- Antonio Barili -- Giuliano And Benedettor Da Maiano -- Fra Giovanni Da Verona -- Fra Damiano Da Bergamo -- The Spread Of Intarsia And The Birth Of Marquetry -- Ancient Egypt -- Greece And Rome -- France -- Pierre Golle -- André-charles Boulle -- Charles Spindler -- Jean-francois Oben -- Jean-henri Riesener -- David Roentgen -- English & Dutch Marquetry -- Art Deco -- Jacques-Émile Ruhlmann -- Süe Et Mare -- England -- Germany And Austria -- American Marquetry -- Appendix 1 : Wood In Marquetry -- Appendix 2 : Parquetry -- Appendix 3 : Banding (tarsia A Toppo) -- Appendix 4 : Boulle Work -- Appendix 5 : Piece By Piece -- Appendix 6 : Sand Shaping -- Appendix 7 : Bevel Cutting. Silas Kopf. Includes Bibliographical References (p. 216) And Index.
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英语 [en] · PDF · 37.1MB · 2008 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.094
ia/davidalfredsmart0000davi.pdf
The David and Alfred Smart Museum of Art : a guide to the collection edited by Sue Taylor and Richard A. Born New York: Hudson Hills Press in association with the Museum ; [S.l.]: Distributed in the United States, its territories and possessions, Canada, Mexico, and Central and South America by Rizzoli International Publications, 1st ed, New York, [Place of publication not identified, ©1990
Edited By Sue Taylor And Richard A. Born. Published On The Occasion Of The Fifteenth Anniversary Of The David And Alfred Smart Museum Of Art Of The University Of Chicago. Includes Bibliographical References And Index.
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英语 [en] · PDF · 22.8MB · 1990 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.094
ia/toledotreasuress0000tole.pdf
Toledo treasures : selections from the Toledo Museum of Art Toledo Museum Of Art Toledo Museum of Art in association with Hudson Hills Press, 1st ed., New York, Toledo, Ohio, New York State, 1995
Includes Bibliographical References And Index.
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英语 [en] · PDF · 25.3MB · 1995 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.094
ia/xtartofxrayphoto0000toda.pdf
X = t : the art of X-ray photography Seiju Toda; introduction by Max Kozloff New York: Hudson Hills Press, 1st ed., New York, New York State, 1995
Toda, one of Japan's leading art directors, is also a fine artist. This remarkable series of photographs, shot with X-rays, depicts wooden constructions housing the remains of living creatures, revealing what the constructions hide, in images of mysterious, almost metaphysical beauty.
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英语 [en] · PDF · 23.4MB · 1995 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17452.094
ia/madeinamericaten0000unse_x7s5.pdf
Made in America : ten centuries of American art : [exhibition organized jointly by the Carnegie museum of art, the Minneapolis institute of arts, the Nelson-Atkins museum of art, the Saint Louis art museum, the Toledo museum of art, 1995 On the occasion of the exhibition organized jointly by the Carnegie museum of art, Pittsburgh etc.; Essays by Henry Adams et al Hudson Hills Press; National Book Network [distributor]; Brand: Hudson Hills Pr; Hudson Hills Pr, 1st ed., New York, [Lanham, Md.], New York State, 1995
Five great American museums have pooled their outstanding works to create an unequaled survey of art in the United States from prehistory to the present day, a glorious treasury of American creativity. It follows many of the strands that have been woven into the pattern of American society, its cultural richness springing from the diversity of its citizenry. Here are masterpieces of painting, sculpture, photography, crafts, and the decorative arts from The Carnegie Museum of Art, Pittsburgh; The Minneapolis Institute of Arts; The Nelson-Atkins Museum of Art, Kansas City, Missouri; The Saint Louis Art Museum; and The Toledo Museum of Art. Here is the finest of Native American pottery, basketry, and beadwork. Here is silver by Paul Revere II, a Baltimore album quilt, glass by Tiffany Studios, and furniture by Frank Lloyd Wright. Here are paintings by George Caleb Bingham, Winslow Homer, John Singer Sargent, Mary Cassatt, Thomas Eakins, Georgia O'Keeffe, Edward Hopper, Grant Wood, Thomas Hart Benton, Romare Bearden, Andrew Wyeth, Jackson Pollock, Ellsworth Kelly, and Andy Warhol. Here are sculptures by Frederic Remington, Paul Manship, David Smith, and Alexander Calder. Here are photographs by Timothy O'Sullivan, Edward Steichen, Gertrude Kasebier, Alfred Stieglitz, Lewis W. Hine, James Van Der Zee, Paul Strand, Berenice Abbott, Dorothea Lange, Walker Evans, Ansel Adams, Edward Weston, Robert Frank, and Diane Arbus. Here, in 162 full-color plates, is the wonderful panorama of American art in a richly produced presentation certain to appeal to all lovers of art and Americana. Its eight sections are introduced by brief essays that provide a succinct view of the social and artistic context for the works of art. Made in America: Ten Centuries of American Art was written by twenty-seven authorities from the curatorial staffs of the participating museums, each of which is hosting the two-year touring exhibition of the same works.
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英语 [en] · PDF · 18.6MB · 1995 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17451.701
ia/masterworksofame0000smit_s3w2.pdf
Masterworks of American Painting and Sculpture from the Smith College Museum of Art Linda Muehlig, editor; Betsy B. Jones ... [et al.]; with contributions by Kristen Erickson, Linda Merrill, and Daniel J. Strong; conservation notes by David Dempsey New York: Hudson Hills Press in association with the Smith College Museum of Art, Northampton, Mass. [Lanham, MD]: Distributed in the USA, its territories and possessions, and Canada by National Book Network, 1st ed., New York, [Lanham, MD], New York State, 1999
The Remarkable Smith College Museum Of Art In Northampton, Massachusetts, Is One Of America's Outstanding College Art Museums. Begun 120 Years Ago As A Collection Of Contemporary American Art (an Early Acquisition Was The First Painting By Thomas Eakins To Enter A Public Collection, Purchased In 1879 For $100), It Now Holds A Comprehensive Survey Of American Painting And Sculpture Of Three Centuries. This Volume Presents 79 Of Its Most Important Works In Full Color, Accompanied By Essays About Each Artist And Work, Supplemented By An Illustrated Checklist Of 85 Additional Examples.. Masterworks Of American Painting And Sculpture Provides A Beautifully Illustrated Survey Of American Art From About 1733 To The 1990s. It Is Edited By Linda Muehlig, Associate Curator Of Painting And Sculpture At The Smith College Museum Of Art, Who Has Also Provided A History Of The Collection. The Essays About Key Works Were Written By Muehlig And A Group Of Smith College Alumnae And Former Associates Of The Museum With Distinguished Careers As Art Historians And Curators, Among Them Betsy B. Jones, Patricia Junker, Elizabeth Mankin Kornhauser, Deborah Chotner, Elizabeth C. Evans-iliesiu, And Cynda L. Benson.--book Jacket. Linda Muehlig, Editor ; Betsy B. Jones ... [et Al.] ; With Contributions By Kristen Erickson, Linda Merrill, And Daniel J. Strong ; Conservation Notes By David Dempsey. Includes Bibliographical References (p. 279-299) And Index.
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英语 [en] · PDF · 39.9MB · 1999 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17451.658
ia/drawnfromtraditi0000webe.pdf
Drawn from tradition : American drawings and watercolors from the Susan and Herbert Adler Collection Bruce Weber; Norton Gallery of Art (Nova York, Noya York, Estats Units d'America) New York: Hudson Hills Press in association with the Norton Gallery of Art: Distributed by Rizzoli International Publications, 1st ed., New York, New York State, 1989
This Volume Contains A Large Private Collection Of American Drawings And Watercolours From The Period 1880-1940. The Collection Concentrates On Figurative Work And Includes Drawings By Mary Cassatt, Winslow Homer, Eastman Johnson, Rockwell Kent And Sargent.--amazon. Bruce Weber. Catalog Of An Exhibition Held At Norton Gallery Of Art, West Palm Beach, Florida, Nov. 11, 1989-jan. 7, 1990 And Williams College Museum Of Art, Williamstown, Mass., Feb. 2-apr. 15, 1990. Includes Bibliographical References (p. 25-26) And Index.
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英语 [en] · PDF · 15.8MB · 1989 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17451.582
zlib/no-category/None, None, Gerdts, William H; Flint Institute of Arts/American art at the Flint Institute of Arts , None_119865582.pdf
American art at the Flint Institute of Arts , None None, None, Gerdts, William H; Flint Institute of Arts New York : Flint Institute of Arts, in association with Hudson Hills Press, 1st ed., New York, New York State, 2003
272 pages : 29 cm, \"Celebrating the seventy-fifth anniversary of the Flint Institute of Arts, one of the cultural jewels of the Midwest, this volume is a comprehensive analysis of 130 of the most important works of American art from the museum's permanent collection. Spanning more than two centuries of artistic production in the United States, this catalogue highlights the exceptional quality and depth of the museum's holdings and serves as an important reference for the scholar and the general reader alike.\", \"An overview of the stunning array of treasures reveals representation of many of the important advancements in the history of American art. Outstanding masterworks include a marsh scene by Martin Johnson Heade, a portrait of her sister at a loom by Mary Cassatt, the famous study for an outdoor portrait of the Vickers children by John Singer Sargent, a Newport harbor scene by Childe Hassam, and William Zorach's Spirit of the Dance, a sculpture that was initially conceived for Radio City Music Hall, The earliest piece of American art is an historical work by Benjamin West painted in 1796. Later pieces represent naive art by many of the well-known painters, as well as a significant group of Tonalist works, Two other areas of strength within the collection are Abstract Expressionism, which includes works by Adolph Gottlieb, Lee Krasner, Robert Motherwell, Helen Frankenthaler and Willem de Kooning, and Contemporary Realism, with works by Wayne Thieband, Ralph Goings, Fairfield Porter, Philip Pearlstein, Jack Beal, and Richard Maury, among others.\"--Jacket, Includes bibliographical references and index
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英语 [en] · PDF · 22.9MB · 2003 · 📗 未知类型的图书 · 🚀/ia/zlib · Save
base score: 11068.0, final score: 17451.219
ia/urbanwallsgenera0000tayl.pdf
Urban walls : a generation of collage in Europe & America : Burhan Dogançay with François Dufrêne, Raymond Hains, Robert Rauschenberg, Mimmo Rotella, Jacques Villeglé, Wolf Vostell Brandon Taylor; Burhan Doanay; Francois Dufrene New York: Hudson Hills Press ; Distributed in the United States by National Book Network, First edition, New York, [Lanham, MD, 2008
<p>Burhan Dogancay with Francois Dufrene, Raymond Hains, Robert Rauschenberg, Mimmo Rotella, Jacques Villegle, Wolf Vostell. Having discovered urban walls as an inspiration when he first came to New York in the early 1960s, it has remained the central motif of Burhan Dogancay's art for nearly fifty years. His art, collage paintings created by bringing together layers of colorful posters, objects, graffiti and other materials collected from cities all over the world, communicates messages about contemporary life while also being studies in texture, shadow, color, and light. Pulling materials from his many travels over his lifetime, a poster from Sartre's play Huis Clos found in Paris in the 1950s, to fragments of graffiti from New York's Soho neighborhood, Dogancay's urban walls express the many moods of that moment in time and are an integral part of a cultural dialogue that occurred both in America and in post- War Europe as conditions arose that gave a new vigor to the art of collage and decollage, or ungluing of paper. Providing an extensive look at the history of collage and its relationship with the art of decollage, this title examines the movement through the work of some of its pivotal participants, artists such as Robert Rauschenberg, Mimmo Rotella, Francois Dufrene, Jacques Villegle and with this context is able to frame the work of New York-based, Turkish-born artist, Burhan Dogancay. As art historian Brandon Taylor writes, Dogancay differs [from his contemporaries] somewhat as his art is an anthropological reflection that celebrates the urban surface as an already pictorial structure, the poetry he perceives at the level of the street is that of anonymity organizing itself as art.</p>
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英语 [en] · PDF · 13.9MB · 2008 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17451.18
ia/sculptureofursul0000vonr.pdf
The sculpture of Ursula von Rydingsvard with essays by Dore Ashton, Marek Bartelik, Matti Megged Hudson Hills Press; National Book Network (distributor); Hudson Hills, 1st ed., New York, Lanham, Md, New York State, 1996
The Sculpture Of Ursula Von Rydingsvard Includes Texts By Dore Ashton, Marek Bartelik, And Matti Megged, Along With An Illustrated Chronology, Lists Of Solo Exhibitions And Public Collections, Bibliography, And Index. It Is Illustrated With 27 Color And 48 Duotone Illustrations, Including Many Of The Artist's Dramatic Indoor And Outdoor Installations. With Essays By Dore Ashton, Marek Bartelik, Matti Megged. Includes Bibliographical References (p. 103-104) And Index.
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英语 [en] · PDF · 18.9MB · 1996 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17451.107
ia/nagaidentitiesch0000unse.pdf
Naga Identities: Changing Local Cultures in the Northeast of India [Feb 28, 2009] Michael Oppitz; Thomas Kaiser; Alban von Stockhausen and Marion Wettstein Michael Oppitz; Museum für Völkerkunde Wien; Universität Zürich Völkerkundemuseum Snoeck Publishers ; Museum vor Völkerkunde Wien ; Völkerkundemuseum der Universität Zürich ; [Distributed to the trade by National Book Network, 1st ed., Gent, [Vienna], [Zürich], [Lanham, MD, Belgium, 2008
<p>The Naga peoples inhabit the southeastern foothills of the Himalayas between India and Burma. Living in virtual isolation from the outside world until about 150 years ago, they developed a highly particular material culture and oral tradition. With period maps dating from the 1500s to present day together with more than 270 color plates, this extensive study explores the culture of a people known for their architecture, sculpture, wood carving, bodily ornaments, drums, and textiles. Objects and artifacts shown come from the extensive collections of the Pitt Rivers Museum at the University of Oxford, Museum fur Volkerkunde (Museum of Ethnology) in Vienna, and Museum der Kulturen (Cultural Museum) in Basel.</p>
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英语 [en] · PDF · 45.8MB · 2008 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17451.107
ia/madeinamericaten0000unse.pdf
Made in America : ten centuries of American art : [exhibition organized jointly by the Carnegie museum of art, the Minneapolis institute of arts, the Nelson-Atkins museum of art, the Saint Louis art museum, the Toledo museum of art, 1995 On the occasion of the exhibition organized jointly by the Carnegie museum of art, Pittsburgh etc.; Essays by Henry Adams et al Hudson Hills Press; National Book Network [distributor]; Brand: Hudson Hills Pr; Hudson Hills Pr, 1st ed., New York, [Lanham, Md.], New York State, 1995
Five great American museums have pooled their outstanding works to create an unequaled survey of art in the United States from prehistory to the present day, a glorious treasury of American creativity. It follows many of the strands that have been woven into the pattern of American society, its cultural richness springing from the diversity of its citizenry. Here are masterpieces of painting, sculpture, photography, crafts, and the decorative arts from The Carnegie Museum of Art, Pittsburgh; The Minneapolis Institute of Arts; The Nelson-Atkins Museum of Art, Kansas City, Missouri; The Saint Louis Art Museum; and The Toledo Museum of Art. Here is the finest of Native American pottery, basketry, and beadwork. Here is silver by Paul Revere II, a Baltimore album quilt, glass by Tiffany Studios, and furniture by Frank Lloyd Wright. Here are paintings by George Caleb Bingham, Winslow Homer, John Singer Sargent, Mary Cassatt, Thomas Eakins, Georgia O'Keeffe, Edward Hopper, Grant Wood, Thomas Hart Benton, Romare Bearden, Andrew Wyeth, Jackson Pollock, Ellsworth Kelly, and Andy Warhol. Here are sculptures by Frederic Remington, Paul Manship, David Smith, and Alexander Calder. Here are photographs by Timothy O'Sullivan, Edward Steichen, Gertrude Kasebier, Alfred Stieglitz, Lewis W. Hine, James Van Der Zee, Paul Strand, Berenice Abbott, Dorothea Lange, Walker Evans, Ansel Adams, Edward Weston, Robert Frank, and Diane Arbus. Here, in 162 full-color plates, is the wonderful panorama of American art in a richly produced presentation certain to appeal to all lovers of art and Americana. Its eight sections are introduced by brief essays that provide a succinct view of the social and artistic context for the works of art. Made in America: Ten Centuries of American Art was written by twenty-seven authorities from the curatorial staffs of the participating museums, each of which is hosting the two-year touring exhibition of the same works.
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英语 [en] · PDF · 21.4MB · 1995 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17451.107
zlib/no-category/Simpson, Marc, Mills, Sally; Saville, Jennifer, 1955-; Fine Arts Museums of San Francisco/The American canvas : paintings from the collection of the Fine Arts Museums of San Francisco_119915135.pdf
The American canvas : paintings from the collection of the Fine Arts Museums of San Francisco Simpson, Marc, Mills, Sally; Saville, Jennifer, 1955-; Fine Arts Museums of San Francisco New York: Hudson Hills Press in association with the Museums ; [New York]: Distributed in the U.S. by Rizzoli International Publications, 1st ed., New York, [New York], New York State, 1989
254 p. : 26 cm, Includes bibliographical references and index
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英语 [en] · PDF · 22.2MB · 1989 · 📗 未知类型的图书 · 🚀/ia/zlib · Save
base score: 11068.0, final score: 17450.809
ia/islamicglassinco0000corn.pdf
Islamic glass in the Corning Museum of Glass. Volume one.@pObjects with scratch-engraved and wheel-cut ornament David Whitehouse; Corning Museum of Glass The Corning Museum of Glass in association with Hudson Hills Press, Corning Museum of Glass Catalog Series, Corning, New York, 2010
<p>—Contains more than 595 objects beautifully photographed and published for the first time —This first volume of a three-part series on rare early Islamic glass is of interest to art historians and scholars of Middle Eastern history The methods of finishing glass by cutting and polishing first began in the regions of the Mediterranean in the first and second century B.C. during the Roman Empire. Within the next 200 years, these finishing shops were also producing glass both cut and with details engraved into the surface. Another technique, wheel-cutting glass, was also practiced by the Romans and their contemporaries, the Sasanians, in Iran and Iraq. However, with the fall of the Roman Empire in the fifth century A.D. these methods all declined and eventually disappeared from the Mediterranean but were sustained in Western Asia. By the eighth and ninth centuries, both cutting and scratch engraving were part of the thriving repertoire of glassmakers in the central Islamic lands. In the extensive collection of cut and engraved glass presented in this volume, almost all the ornaments date between the eighth and eleventh centuries and trace their origin to present-day Egypt, Iraq, and Iran. The collection includes dishes, bowls, cups beakers, goblets, jars, pitchers, and ewers that have been newly cleaned and restored and show prevailing themes of plants, birds, and scenes from daily life. Together with an essay by David Whitehouse, executive director and curator of Ancient and Islamic Glass at The Corning Museum of Glass, this volume serves to illuminate and add to the study of the techniques and evolution of ancient glass in the Middle East.</p>
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英语 [en] · PDF · 34.1MB · 2010 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17450.775
ia/albanyinstituteo0000alba_x7i5.pdf
Albany Institute of History and Art: 200 Years of Collecting edited by Tammis K. Groft and Mary Alice Mackay; with an introduction by Christine M. Miles New York: Hudson Hills Press in association with Albany Institute of History & Art ; [Lanham, Md.]: Distributed in the US, its territories and possessions, and Canada by National Book Network, 1st ed., New York, [Lanham, Md.], New York State, 1998
The Albany Institute Is One Of The Nation's Oldest Cultural Institutions, Dating To 1791. This Comprehensive Overview Of Its American Art And Decorative-arts Collections Presents Colorplates And Essays About 130 Objects (of A Total Exceeding 20,000), Each Chosen For Its National Significance, Artistic Merit, And Relevance To The Institute's Mission: Collecting And Interpreting The Art, History, And Culture Of New York State's Upper Hudson Valley From The Late Seventeenth Century To The Present. Due To The Region's Central Role In The Early Development Of The Country And Albany's Importance As The State Capital, Much Of The Collection Transcends Regional Origins To Attain National Significance. Noted Concentrations Include Early-eighteenth-century Portraiture, Hudson River-school Landscapes (the Institute Maintains One Of The Premier Collections Of Works By Thomas Cole, Founder Of The School), Portraits By Ezra Ames And Charles Loring Elliott, Sculpture By Erastus Dow Palmer, Landscapes And Interiors By Walter Launt Palmer, And Locally Made Furniture, Silver, Pewter, Glass, Ceramics, And Textiles. Here Are Works By Artists As Various As Nehemiah Partridge, Ammi Phillips, Frederic Edwin Church, Several Generations Of The Vanderlyn Dynasty, Cabinetmaker Charles-honore' Lannuier, Silversmiths Isaac And George Hutton, And French Couturiers Worth & Bobergh And Emile Pingat. Chapters Are Devoted To Paintings And Drawings, Prints, Miniatures, Sculpture, Silver And Pewter, Furniture, Stoves, Ceramics And Glass, Textiles, And Costumes. Edited By Tammis K. Groft And Mary Alice Mackay ; With An Introduction By Christine M. Miles. Includes Bibliographical References (p. 283-323) And Index.
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英语 [en] · PDF · 39.8MB · 1998 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17450.775
ia/roylichtensteini0000lich.pdf
Interiors Publ. in conjunction with the exhibition held at the Museum of Contemporary Art, Chicago, from July 24 to Oct. 10, 1999 Roy Lichtenstein; Robert Fitzpatrick; Museum of Contemporary Art (Chicago, Ill.); et al New York: Hudson Hills in association with Museum of Contemporaty Art, Chicago, New York, Chicago, New York State, 1999
Perfect Pictures / Robert Fitzpatrick -- The Misanthrope Manqué : Through A Glass Lightly / Dorothy Lichtenstein -- Framing George / Leo Castelli -- Words And Pictures / Cassandra Lozano -- Roy / Sidney B. Felsen -- Plates -- The Interior Prints. Robert Fitzpatrick ... [et Al.]. This Book Was Initially Published In Conjunction With The Exhibition ... Held At The Museum Of Contemporary Art, Chicago, From July 24 To October 10, 1999--t.p. Verso. Includes Bibliographical References (p. 96).
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英语 [en] · PDF · 6.8MB · 1999 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17450.736
ia/beyondplanerelie0000axso.pdf
Beyond the plane : the relief paintings of Judith Rothschild Richard H Axsom; Judith Rothschild; Gosudarstvennai︠a︡ Tretʹi︠a︡kovskai︠a︡ galerei︠a︡ New York: Hudson Hills Press ; [Place of publication not identified]: Distributed in the U.S., its territories and possessions, Canada, Mexico, and Central and South America by National Book Network, 1st ed, New York, [Place of publication not identified, ©1992
Foreword / Ivanovich Korolev -- Preface / William J. Hennessey -- Beyond The Plane: The Relief Paintings Of Judith Rothschild / Richard H. Axsom -- Checklist -- Plates -- Biographical Notes -- Solo Exhibitions -- Selected Group Exhibitions -- Selected Museum And Corporate Collections. By Richard H. Axsom. Catalogue Of An Exhibition Held At Tretyakov Gallery, Moscow, In 1991. Includes Index.
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英语 [en] · PDF · 5.8MB · 1992 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17450.736
ia/isbn_9781555953324.pdf
Jean-Pierre Vorlet : affiches déchirées : œuvres graphiques, 1967-2010 Jean-Pierre Vorlet; Marcy Schwartz ArtAcatos ; in association with Hudson Hills Press, New York, ACC Distribution [distributor, ©2010
Taking photos of torn and weathered posters from city walls for more than 40 years, Jean-Pierre Vorlet has collected urban imagery from all over the world and created vibrantly coloured and layered collages
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英语 [en] · 法语 [fr] · PDF · 25.9MB · 2010 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17450.736
ia/firstimpressions0000arms.pdf
First impressions early prints by forty-six contemporary artists ; [Walker Art Center, Minneapolis, Minnesota 4 June - 10 September 1989, Laguana Gloria Art Museum, Austin, Texas 2 December 1989 - 21 January 1990, Baltimore Museum of Art, Baltimore, Maryland 25 February - 22 April 1990, Neuberger Museum, State University of New York Purchase, New York 21 June - 16 September 1990 introduction by Elizabeth Armstrong; essays by Elizabeth Armstrong and Sheila McGuire New York: Hudson Hills Press in association with Walker Art Center, Minneapolis: Rizzoli International Publications [distributor], 1st ed., New York, New York State, 1989
Providing A New Viewpoint Of Contemporary American Printmaking, This Illustrated Volume Surveys The Work Of A Number Of Painters And Sculptors Whose Contribution To Printmaking Is Widely Known. The Artists Discussed Include Andy Warhol, Jasper Johns, Rauschenberg And Jennifer Bartlett. The Author Concentrates On The Early Graphic Efforts Of Such Artists And The Influence Their Experiments Have Had On Each Other's Later Work.--googlebooks. Introduction By Elizabeth Armstrong ; Essays By Elizabeth Armstrong And Sheila Mcguire. Walker Art Center, Minneapolis, Minnesota, 4 June-10 September 1989, Laguna Gloria Art Museum, Austin, Texas, 2 December 1989-21 January 1990, Baltimore Museum Of Art, Baltimore, Maryland, 25 February-22 April 1990, Neuberger Museum, State University Of New York, Purchase, New York, 21 June-16 September 1990--verso T.p. Includes Bibliographical References And Index.
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英语 [en] · PDF · 14.7MB · 1989 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17450.736
ia/inmedusasgazesti0000unse.pdf
In Medusa's gaze: still life paintings from upstate New York museums Norman Bryson; Bernard Barryte; University of Rochester. Memorial Art Gallery Meomorial Art Gallery of the University of Rochester, Rochester, N.Y, New York State, 1978
10.00
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英语 [en] · PDF · 18.7MB · 1978 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17450.736
ia/printsofmichaelm0000hans.pdf
The prints of Michael Mazur : with a catalogue raisonne 1956-1999 [published in conjunction with the exhibition Michael Mazur: a print retrospective, held at the Museum of Fine Arts, Boston, 16 February - 14 May 2000, the Iris and B. Gerald Cantor Center for Visual Arts, Stanford University, California, 11 July - 17 September 2000, the Jane Voorhees Zimmerli Art Museum, Rutgers, the State University of New Jersey, New Brunswick, 28 November 2000-16 February 2001, the Minneapolis Institute of Arts, Minneapolis, 15 March - 31 May 2001 Michael Mazur; Trudy Victoria Hansen; Exhibition Michael Mazur: a Print Retrospective <2000 - 2001, Boston, Mass u.a.>; Museum of Fine Arts, Boston Hudson Hills Press ; J. Voorhees Zimmerli Art Museum, 1st ed., New York, New York State, 2000
Michael Mazur Is Unique Among Contemporary Artists, Equally Gifted As A Painter And Graphic Artist. Steeped In The History Of Printmaking, He Has Balanced In His Work Graphic Experimentation And Innovation, Technical Virtuosity, And A Wealth Of Unforgettable Images. Mazur Is A Humanist, All His Imagery Rooted In The Natural World. He Has Also Played A Leading Role In The Contemporary Revival Of The Monotype, A Major Means Of Expression That Occupies A Central Place In His Own Work. This Volume Brings Together Essays By Four Leading Authorities, Covering Various Aspects Of Mazur's Life And Career.--book Jacket. Foreword / Phillip Dennis Cate -- Michael Mazur: Entering The Stream: An Introduction / Trudy V. Hansen -- Colorplates -- Making Marks: The Edition Prints / Barry Walker -- Colorplates -- Mazur's Monotypes: The Medium With A Memory / Clifford S. Ackley -- The Wakeby Monotypes: A Photo Diary / Michael Mazur -- Colorplates -- Michael Mazur: The Poetry Of Illustration / Lloyd Schwartz -- Colorplates -- Catalogue Raisonne -- Glossary Of Printmaking Terms. Trudy V. Hansen ; With Essays By Barry Walker, Clifford S. Ackley, And Lloyd Schwartz. Published In Conjunction With The Exhibition Michael Mazur: A Print Retrospective. Exhibition Dates, Museum Of Fine Arts, Boston, Feb. 16-may 14, 2000 And Three Other Locations Through May 31, 2001. Includes Bibliographical References (p. 217-218) And Index.
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英语 [en] · PDF · 26.9MB · 2000 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17450.668
ia/eastcoastwestcoa0000gerd.pdf
East Coast - West Coast and beyond : Colin Campbell Cooper ; American impressionist ; [catalog of an exhibition at the Heckscher Museum of Art, Huntington, NY, Nov. 11, 2006 - Jan. 28, 2007 and at the Laguna Art Museum, Laguna Beach, Calif., Feb. 23 - June 3, 2007 Colin Campbell Cooper; William H Gerdts; Deborah Epstein Solon; Heckscher Museum; Irvine Museum; Laguna Beach Museum of Art; Exhibition New York: Hudson Hills Press: Distributed in the United States by National Book Network, 1st ed., Laguna Beach, CA, United States, 2006
Like the fate of so many American Impressionist painters, Colin Campbell Cooper's career was often overlooked. With this first in-depth study of the artist, Cooper's career is finally illuminated, revealing a virtuosity and breadth of subject matter unique among his contemporaries. Originally from Philadelphia, Cooper was a student of Thomas Eakins at the Pennsylvania Academy of the Fine Arts before moving to Paris where he attended the Academie Julian and the academies Delacluse and Viti. It was in Paris where his enduring interest in architecture began with mediaeval architectural monuments, especially Gothic cathedrals. This interest in architecture developed into the theme for which his art would forever be associated. Relocating to California in 1921 led to his fascination with West Coast architecture with its Spanish influences, and his later work also reflects his love of the Western landscape. Whether painting the East or the West, Cooper was lauded as a significant Impressionist artist who
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英语 [en] · PDF · 14.0MB · 2006 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17450.324
ia/rembrandthistime0000bisa.pdf
Rembrandt and his time : masterworks from the Albertina, Vienna Marian Bisanz-Prakken; Rembrandt Harmenszoon van Rijn; Milwaukee Art Museum New York: Milwaukee Art Museum in association with Hudson Hills Press, New York, NY, United States, 2005
<p>Co-published with the Milwaukee Art Museum, where the exhibition was held in 2005-2006, this catalogue presents full-page plates and entries of 112 prints and drawings by Rembrandt and his contemporaries from the Albertina in Vienna. The entries describe the work of art and include some information about the artist's life, career, subject matter, and audience. Bisanz-Prakken, who provides an introduction as well as all the catalogue entries, is curator of Netherlandish drawings at the Albertina. The volume is oversize: 11x12.25". Annotation &copy;2006 Book News, Inc., Portland, OR</p><h3>Publishers Weekly</h3><p>In a world already crowded with Rembrandt books, this one more than justifies its existence with an imaginative focus on the artist's drawings and prints in the context of other Dutch draftsmen and printmakers. Published in conjunction with a 2006 exhibit at the Milwaukee Art Museum to mark the 400th anniversary of Rembrandt's birth, the book offers a side-by-side comparison of Rembrandt with his contemporaries that allows his distinctive style to be seen more clearly than ever. The way Rembrandt represented space receding into the background, for instance, with a radically economic use of line that appears improvised on the spot, is unmatched by any other artist on display here. Not that the others are exactly slouches. Aelbert Cuyp, 14 years Rembrandt's junior, displays deep reservoirs of sensitivity and humor in drawings like Reclining Dog, which masterfully captures the animal's finely muscled back and quizzical expression. Bristling with footnotes and filled with art jargon (repoussoir, anyone?), the text by Albertina curator Bisanz-Prakken is engaging, if only because her commentary is pegged to specific images, usually displayed on facing pages. This is an accessible if scholarly look at 17th-century Dutch art and a great introduction to Rembrandt the genius draftsman. (Dec.) Copyright 2005 Reed Business Information.</p>
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英语 [en] · PDF · 28.6MB · 2005 · 📗 未知类型的图书 · 🚀/ia · Save
base score: 11068.0, final score: 17449.248
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