Cinema and desire : feminist Marxism and cultural politics in the work of Dai Jinhua / Dai Jinhua ; edited by Jing Wang and Tani E. Barlow. 🔍
Dai, Jinhua, 1959-
Verso, 2002., London, New York, England, 2002
英语 [en] · ZIP · 0.4MB · 2002 · 📗 未知类型的图书 · 🚀/duxiu/hathi · Save
描述
Dai Jinhua is one of contemporary China's most influential theoreticians and cultural critics. A feminist Marxist, her literary, film and TV commentary has, over the last decade, addressed an expanding audience in China, Taiwan and Hong Kong.Cinema and Desire presents Dai Jinhau's best work to date. In it she examines the Orientalism that made Zhang Yimou the darling of international film festivals, establishes Huang Shuqin's Human, Woman, Demon as the People's Republic's first genuinely feminist film, comments on TV representations of the Chinese diaspora in New York, speculates on the value of Mao Zedong as an icon of post-revolutionary consumerism, and analyses the rise of shopping plazas in 1990s'urban China as a strange montage in which the political memories of Tiananmen Square and the logic of the global capitalist marketplace are intertwined.
备选标题
Cinema and desire : feminist Marxism and cultural politics in the works of Dai Jinhua ; ed. by Wang Jing and Tani E. Barlow
备选作者
Dai Jinhua; edited by Jing Wang and Tani E. Barlow
备选作者
Jinhua Dai; Jing Wang; Tani E Barlow
备选作者
Dai Jinhua; Tani Barlow; Jing Wang
备选作者
Jinhua, Dai, Barlow, Tani
备用出版商
Verso; Verso
备用出版商
Verso Books
备用版本
Lightning Source Inc. (Tier 1), London, 2020
备用版本
United Kingdom and Ireland, United Kingdom
备用版本
First Printing, First Edition, US, 2002
备用版本
September 2002
备用版本
London, 1999
备用版本
S. l, 2002
元数据中的注释
Includes bibliographical references (p. [266]-274) and index
Articles translated from the Chinese
Articles translated from the Chinese
备用描述
Dai Jinhua is one of contemporary China's most influential theoreticians and cultural critics. A feminist Marxist, her literary, film and TV commentary has, over the last decade, addressed an expanding audience in China, Taiwan and Hong Kong. <i>Cinema and Desire</i> presents Dai Jinhua's best work to date. In the book she examines the Orientalism that made Zhang Yimou the darling of international film festivals, establishes Huang Shuqin's <i>Human, Woman, Demon</i> as the People's Republic's first genuinely feminist film, comments on TV representations of the Chinese diaspora in New York, speculates on the value of Mao Zedong as an icon of post-revolutionary consumerism, and analyses the rise of shopping plazas in 1990s urban China as a strange montage in which the political memories of Tiananmen Square and the logic of the global capitalist marketplace are intertwined.
<p>Author Biography: <b>Dai Jinhua</b> is Professor of Chinese Literature and Culture at Peking University and the author of <i>Breaking Out of the City of Mirrors</i> and <i>Film Theory and Handbook of Criticism</i>. <b>Jing Wang</b> is S.C. Fang Professor of Chinese Cultural Studies at MIT. She is the author of <i>High Culture Fever</i>. <b>Tani Barlow</b> teaches at the University of Washington. She is the author of <i>The Question of Women in China</i>.</p>
<p>Author Biography: <b>Dai Jinhua</b> is Professor of Chinese Literature and Culture at Peking University and the author of <i>Breaking Out of the City of Mirrors</i> and <i>Film Theory and Handbook of Criticism</i>. <b>Jing Wang</b> is S.C. Fang Professor of Chinese Cultural Studies at MIT. She is the author of <i>High Culture Fever</i>. <b>Tani Barlow</b> teaches at the University of Washington. She is the author of <i>The Question of Women in China</i>.</p>
备用描述
Dai Jinhua is one of contemporary Chinas most influential theoreticians and cultural critics. A feminist Marxist, her literary, film, and TV commentary has, over the last decade, addressed an expanding audience in China, Taiwan and Hong Kong.
Cinema and Desire presents Dai Jinhuas best work to date. In these pages she examines the Orientalism that made Zhang Yimou the darling of international film festivals, lays bare Euro-American fantasies about the Sixth Generation of Chinese cinema auteurs, establishes Huang Shuqins Human, Woman, Demon as the Peoples Republics first genuinely feminist film, comments on TV representations of the Chinese Diaspora in New York, speculates on the value of Mao Zedong as an icon of post-revolutionary consumerism, and analyzes the rise of shopping plazas in 1990s urban China as a strange montage in which the political memories of Tiananmen Square and the logic of the global capitalist marketplace are intricately intertwined.
Cinema and Desire presents Dai Jinhuas best work to date. In these pages she examines the Orientalism that made Zhang Yimou the darling of international film festivals, lays bare Euro-American fantasies about the Sixth Generation of Chinese cinema auteurs, establishes Huang Shuqins Human, Woman, Demon as the Peoples Republics first genuinely feminist film, comments on TV representations of the Chinese Diaspora in New York, speculates on the value of Mao Zedong as an icon of post-revolutionary consumerism, and analyzes the rise of shopping plazas in 1990s urban China as a strange montage in which the political memories of Tiananmen Square and the logic of the global capitalist marketplace are intricately intertwined.
备用描述
<p>Dai Jinhua is one of contemporary China's most influential theoreticians and cultural critics. A feminist Marxist, her literary, film and TV commentary has, over the last decade, addressed an expanding audience in China, Taiwan and Hong Kong.</p><p><b>Cinema and Desire</b> presents Dai Jinhua's best work to date. In the book she examines the Orientalism that made Zhang Yimou the darling of international film festivals, establishes Huang Shuqin's <b>Human, Woman, Demon</b> as the People's Republic's first genuinely feminist film, comments on TV representations of the Chinese diaspora in New York, speculates on the value of Mao Zedong as an icon of post-revolutionary consumerism, and analyzes the rise of shopping plazas in 1990s urban China as a strange montage in which the political memories of Tienanmen Square and the logic of the global capitalist marketplace are intertwined.</p>
备用描述
Dai Jinhua is one of contemporary Chinas most influential theoreticians and cultural critics. A feminist Marxist, her literary, film and TV commentary has, over the last decade, addressed an expanding audience in China, Taiwan and Hong Kong.
Cinema and Desire presents Dai Jinhaus best work to date. In it she examines the Orientalism that made Zhang Yimou the darling of international film festivals, establishes Huang Shuqins Human, Woman, Demon as the Peoples Republics first genuinely feminist film, comments on TV representations of the Chinese diaspora in New York, speculates on the value of Mao Zedong as an icon of post-revolutionary consumerism, and analyses the rise of shopping plazas in 1990s urban China as a strange montage in which the political memories of Tiananmen Square and the logic of the global capitalist marketplace are intertwined.
Cinema and Desire presents Dai Jinhaus best work to date. In it she examines the Orientalism that made Zhang Yimou the darling of international film festivals, establishes Huang Shuqins Human, Woman, Demon as the Peoples Republics first genuinely feminist film, comments on TV representations of the Chinese diaspora in New York, speculates on the value of Mao Zedong as an icon of post-revolutionary consumerism, and analyses the rise of shopping plazas in 1990s urban China as a strange montage in which the political memories of Tiananmen Square and the logic of the global capitalist marketplace are intertwined.
备用描述
Dai Jinhua is one of contemporary China's most influential cultural critics. In these pages she examines the Orientalism that made Zhang Yimou the darling of international film festivals, and speculates on the value of Mao Zedong as an icon of post-revolutionary consumerism, for example.
备用描述
Dai Jinhua is one of contemporary China's most influential cultural critics. This book presents a selection of her writings, with topics including Orientalism and the relationship between Mao Zedong and consumerism
备用描述
Dal Jinhau's commentary on Chinese cinema, culture and politics
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